2. – 6.10.
“Public Sculpture” opens the “discussion” about the relationship between two figures on the formal level, but also about the relationship of public sculpture towards its context; the literal context – the environment in which it is placed, as well as the legal and institutional context which regulates its placement. The question of definition and limits of public sculpture arise, as well as the questions about order or possible anarchy in a city filled with public sculptures, the questions of rules and how to bend them...
Vlatka Škoro was born in 1987 in Osijek. She is a graduate student of sculpture at the Academy of Fine Arts in Zagreb. She participated in group exhibitions in Osijek, Zagreb, Pula, Split and Dubrovnik. She participated in the following workshops: 2006-2009 “Krojcberg” Pula; 2008-2009 “Earth” Vinkovci; 2007 “Hinko Juhn” Našice; 2006-2007 “Straw” Lug/Baranja, etc. She is the author of the public sculpture “Nosonja” in the atrium of the MMC Rojc in Pula (2008), and is the president of the “Organization NisamJaOnJe (It’sNotMeIt’sHim)” and the initiator of “Crtatlon”.
